Nevelskiy

How years of studio work with Etman built 'Oysya Ty Oysya' into a million-stream record — 500K+ on Spotify and 500K+ on Yandex Music. Nevelskiy on producing, arranging, mixing and mastering the original version.

Before F.I.69, Konstantin Nevelskiy had already spent years producing music and performing as a DJ. The project he formed with Igor “M.I.P.” Maksimenko became the first to carry his work from southern Russia into the international electronic-music market.

How Nevelskiy turned a Los Angeles ghosting story into 'I Think He Died' — a sharply paced pop record that stays funny past the first listen. Inside the composition, arrangement and mastering.

From Vietnam Idol to a West Hollywood premiere: Nevelskiy on producing Lê Khoa's 'SPIT,' a bold house record built for voice, movement and image across a multi-release collaboration.

JULES! believed in “Mediocre Paradise,” but its original arrangement did not express what she heard in the song. Nevelskiy explains how they rebuilt the production and created the music video together.

Lê Khoa wrote and performed his own anthem for Vietnam Idol 2023. Nevelskiy gave it a sound built for national television — and Khoa kept building on it. Inside producing "I Won't Give Up," and why the collaboration continued.

Music has a unique way of connecting people across cultures and emotions. One track that recently caught attention is Etman's "Братцы", produced by Konstantin Nevelskiy. This piece blends modern production techniques with deep-rooted musical influences, creating a sound that resonates with listeners on multiple levels. In this post, we will explore the musical elements, production style, and emotional impact of "Братцы," offering insights into why this track stands out.

From recording the click of a TUMI fragrance bottle to creating distinct soundscapes for Mind Games, Nevelskiy explains how he built the audio for three commercial campaigns produced with The Fragrance Group.

A record decides its own tempo. A film takes that away and hands you someone else's story. Nevelskiy on writing five cues for "Туфли" — his first film score, recorded with live saxophone and guitar at his Krasnodar studio, and where the film travelled afterwards.

After discovering an independent game in development, Nevelskiy contacted its creator and offered to help. He went on to compose the complete original score and build the sound world of “Dead World Heroes,” now downloaded more than 100,000 times on Google Play.

“Caliente” began with an instrumental by Nevelskiy and developed into a collaboration with Spanish-language artist Franklin Dam. The single is out now through Tâino Music and Virgin Music Spain.

“Грумер” is one of the releases created during my ongoing collaboration with singer-songwriter Vadim Etman. Vadim came to the project as the author of both the lyrics and music. My role was to take that material through sound production and shape it into a finished recording while preserving the character of his songwriting. This distinction matters to me. Production is not about replacing the artist’s identity with the producer’s signature. It is about understanding what alr

A cold message to a Lithuanian singer turned into her most-streamed record — and an on-air interview at Dash Radio in Los Angeles.

Three producers, three countries, one track. "They Say" is out now.

Records made with Alina Granovskaya (Ma) over several years — an EP, singles, and a track that ended up in a national series and became the most-played of her catalogue.

My track was licensed into START's series "Жиза," in a soundtrack with Mumiy Troll and Svidanie — credited on screen and on IMDb.

Original music and sound design created by Nevelskiy for a short STREPSILS promotional video.

NyBracho released multiple records through Nevelskiy’s LOONY HOUSE MAJOR label. Their work includes two collaborations with Rem Digga that have earned more than seven million Spotify streams.

"I Don't Want to Wait" is out — my third release with Deep Tone. Across the three, the roles change each time, and that's the point.

"Old Jazzman" is out — a record I wrote, produced, mixed and mastered end to end, with Phillipo Blake.