Nevelskiy

How years of studio work with Etman built 'Oysya Ty Oysya' into a million-stream record — 500K+ on Spotify and 500K+ on Yandex Music. Nevelskiy on producing, arranging, mixing and mastering the original version.

How Nevelskiy turned a Los Angeles ghosting story into 'I Think He Died' — a sharply paced pop record that stays funny past the first listen. Inside the composition, arrangement and mastering.

From Vietnam Idol to a West Hollywood premiere: Nevelskiy on producing Lê Khoa's 'SPIT,' a bold house record built for voice, movement and image across a multi-release collaboration.

JULES! believed in “Mediocre Paradise,” but its original arrangement did not express what she heard in the song. Nevelskiy explains how they rebuilt the production and created the music video together.

Lê Khoa wrote and performed his own anthem for Vietnam Idol 2023. Nevelskiy gave it a sound built for national television — and Khoa kept building on it. Inside producing "I Won't Give Up," and why the collaboration continued.

From recording the click of a TUMI fragrance bottle to creating distinct soundscapes for Mind Games, Nevelskiy explains how he built the audio for three commercial campaigns produced with The Fragrance Group.

A record decides its own tempo. A film takes that away and hands you someone else's story. Nevelskiy on writing five cues for "Туфли" — his first film score, recorded with live saxophone and guitar at his Krasnodar studio, and where the film travelled afterwards.

After discovering an independent game in development, Nevelskiy contacted its creator and offered to help. He went on to compose the complete original score and build the sound world of “Dead World Heroes,” now downloaded more than 100,000 times on Google Play.

A cold message to a Lithuanian singer turned into her most-streamed record — and an on-air interview at Dash Radio in Los Angeles.

Records made with Alina Granovskaya (Ma) over several years — an EP, singles, and a track that ended up in a national series and became the most-played of her catalogue.

NyBracho released multiple records through Nevelskiy’s LOONY HOUSE MAJOR label. Their work includes two collaborations with Rem Digga that have earned more than seven million Spotify streams.

"I Don't Want to Wait" is out — my third release with Deep Tone. Across the three, the roles change each time, and that's the point.

The music video for Etman's "Kazak" stands out as a vivid example of how artistic collaboration can bring a song to life visually and emotionally. This project brought together talents from different creative fields, resulting in a compelling piece that resonates with viewers and listeners alike. Understanding the teamwork behind this production reveals how music, poetry, and visual storytelling combine to create a powerful artistic experience.

A song made in a small Krasnodar studio ended up in prime time on Rai 1. Nevelskiy on producing "Leave a Tip" with Masha March — and why restraint and clean rights are what let a track travel to Italian national TV.

In summer 2018, an Efes commercial did something unusual: audiences went hunting across forums and social media to find out who made its music. Nevelskiy composed and produced "Summer Is Here" — inside the fast collaboration behind a track that outgrew the ad.